The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986.
An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film.
The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn.
Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings.
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The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986.
An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film.
The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn.
Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings.
Was the above comment useful to you?
截止到2023-03-09 10:32,这部法国电影现在已经已完结 本片约100-130分钟,本片是法语发音,中文字幕 观看部分外语对白(如英语、美语、日语、韩语、泰语等)的影视节目对口语发音和口语培训有较好的效果,可以一定程度的训练听力和发音,这部影片的上映时间是1970年,具体多少分钟,上映时间可以去百度问答看看。电影观看小贴士:DVD:普通清晰|BD:高清无水印|HD:高清|TS:抢先非清晰
大家是怎么评价《血玫瑰1970[电影解说]》的呢?豆瓣电视剧网友:凸显的是写意。但它对“写意”的表达比较单一,几乎都是慢动作+特写,发出、着力点、结果的“三镜头”剪辑基本就是它复杂的动作设计了……虽然辅以悠扬的琵琶和紧张鼓点,颇有意境,但过于简单的实在撑不起来,写意就沦为“花架子” 演员(Philippe Lemaire,Anny Duperey,Elizabeth Teissier,Olivia Robin,Michèle Perello,Valérie Boisgel 排名不分先后)的演技一直在线,全程无尿点。个人感觉只重视数量,不重视质量,好内容的电视剧太少了,和电影差不多,都是些无厘头的东西,没啥实质内涵。血玫瑰1970[电影解说]的热播让人们看到法国电影网络文学和数字传媒的潜在力量,上一篇:一个完美的结局[电影解说] 下一篇:致那些得不到保护的人[电影解说] 更是刷新了豆瓣的评分,当之无愧的 “法国电影神剧”。在尚未播完的情况下总播放量已超过预期,这显然不只是奇迹,更是法国电影数字传媒全民力量的爆发。你也可以登录百度问答获得更多评价......
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