The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
截止到2023-11-03 10:49，这部其它电影现在已经HD中字 本片约100-130分钟，本片是其它发音，中文字幕 观看部分外语对白(如英语、美语、日语、韩语、泰语等)的影视节目对口语发音和口语培训有较好的效果，可以一定程度的训练听力和发音，这部影片的上映时间是1969年，具体多少分钟，上映时间可以去百度问答看看。电影观看小贴士:DVD:普通清晰｜BD:高清无水印｜HD:高清｜TS:抢先非清晰
大家是怎么评价《芳心封鎖》的呢?豆瓣电视剧网友：凸显的是写意。但它对“写意”的表达比较单一，几乎都是慢动作+特写，发出、着力点、结果的“三镜头”剪辑基本就是它复杂的动作设计了……虽然辅以悠扬的琵琶和紧张鼓点，颇有意境，但过于简单的实在撑不起来，写意就沦为“花架子” 演员（Gila Almagor 排名不分先后）的演技一直在线，全程无尿点。个人感觉只重视数量，不重视质量，好内容的电视剧太少了，和电影差不多，都是些无厘头的东西，没啥实质内涵。芳心封鎖的热播让人们看到其它电影网络文学和数字传媒的潜在力量，上一篇:二哥 下一篇:神游天地 更是刷新了豆瓣的评分，当之无愧的 “其它电影神剧”。在尚未播完的情况下总播放量已超过预期，这显然不只是奇迹，更是其它电影数字传媒全民力量的爆发。你也可以登录百度问答获得更多评价......
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