狂野街头(1968)

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb

截止到2023-06-07 14:21，这部美国电影现在已经更新至HD 本片约100-130分钟，本片是英语发音，中文字幕 观看部分外语对白(如英语、美语、日语、韩语、泰语等)的影视节目对口语发音和口语培训有较好的效果，可以一定程度的训练听力和发音，这部影片的上映时间是1968年，具体多少分钟，上映时间可以去百度问答看看。电影观看小贴士:DVD:普通清晰｜BD:高清无水印｜HD:高清｜TS:抢先非清晰

豆瓣电影网友：《狂野街头》是一部美国电影，1968年播出以来就受到广大观众的喜爱，经常看美国电影，喜欢的原因：首先觉得美国电影比较有剧情，内容比较丰富多彩，只有你想不到没有美国电影想不到的情节。再有就是众所周知的特效，美国电影的超级特效特别好、特别炫、特别高逼格，自然而然会带给你很多视觉冲击。当然我们国内的影视特效也有飞快的进步，现在很多大片的特效都在国内做得，最后应该就是人物了，演员演技不说，人物角色往往都贴满鲜明的标签。当然美国电影也有让我有分分钟弃剧冲动的，槽点满满，所以一部好电影，好美国电影在以上三点（情、特效、角色设置）的选择上是至关重要的。它重视个人成就、崇拜个人奋斗，讲究个人价值最大程度的实现。美国电影是灌输个人主义的主要工具，从上一篇:辣警霸王花：澳门行动（粤语） 下一篇:疯狗，“救世主们”一次次让美国扮演拯救世界的角色，英雄来到地球是“为了美国式的真理和正义”，让观众在不知不觉中认同美国具有拯救并主导世界强权地位的天然能力。